Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/10286
Full metadata record
DC FieldValueLanguage
dc.contributor.authorKASMI HAFIDA-
dc.date.accessioned2016-03-
dc.date.available2016-03-
dc.date.issued2016-03-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/10286-
dc.descriptionRevue Al Atharen_US
dc.description.abstractThough the Mouwedian art goeswith the dramaticterritory, Incendies faces the determination of itskinds, with a view of the treatedthemesthere. This analysistried to clarify a new categorization of that innocent drama. Startingfrom the idea of the generativereading, the reception of the workprovokeswithin the reader an uneasefrom a generic classification as themegoesfartherthan the borders of anygenericdesignation. Sincewritingis a release, the readingpactfindsitsmeaning in the efforts to provide or even in the pleasurethat leads the reader to highlight all the ambiguities ! So thissholarlyreadingtakes us on the fact the theatre of Mouawadqualified as hybrid. This to say a theatre of life far awayfromgeneric contraint !en_US
dc.language.isofren_US
dc.relation.ispartofseriesnumero 24 2016;-
dc.subjecttheatreen_US
dc.subjecthybriden_US
dc.subjectautobiographyen_US
dc.subjectexile-
dc.subjectautofiction-
dc.titleDe l'identité hybride à l'hybridité du théâtre dans Incendies de WajdiMouawad: Vers une généricité lectorale du théâtre mouawédienen_US
dc.typeArticleen_US
Appears in Collections:numéro 24 2016

Files in This Item:
File Description SizeFormat 
T2403F.pdf97,69 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.