Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/12667
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | دليلة زغودي | - |
dc.date.accessioned | 2016-11-23T10:06:07Z | - |
dc.date.available | 2016-11-23T10:06:07Z | - |
dc.date.issued | 2016-11-23 | - |
dc.identifier.issn | 2253-0029 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/12667 | - |
dc.description | Revue Makalid | en_US |
dc.description.abstract | the novels of Waciny Laredj filled especially late ones , with manifestations of overlap and interaction between the novelist Art and non-art linguistic, I have talked about what was left of all art: the cinema, music, painting, drawing from the effects of the architecture novels and the compositional and semantic dimensions, and open it in front of new possibilities to break through the traditional frameworks and the establishment of a new aesthetics that will raise the bet receiving do; not including required of Culture capacity that touches parties specialization, sometimes, but as required by the realization of the sense in the reception process, and leave the norms traded based on Chapter literacy between disciplines, she knew to bring a new texture blending ,mixing and freelancing. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numéro 11 2016; | - |
dc.subject | new novels | en_US |
dc.subject | arts non-linguistic | en_US |
dc.subject | technical interference | en_US |
dc.subject | interaction | en_US |
dc.subject | painting | en_US |
dc.subject | cinema | en_US |
dc.subject | music | en_US |
dc.title | تراسل الفنون في كتابات واسيني الأعرج الروائية | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 11 2016 |
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