Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/13496
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | هيثم سرحان | - |
dc.date.accessioned | 2016-09 | - |
dc.date.available | 2016-09 | - |
dc.date.issued | 2016-09 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/13496 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | This paper examines the scholarly and popular prestige that Mahmud Darwish’s poem “Identity Card” enjoys. Having been exceptionally and widely celebrated for more than half a century, the poem has had an impact even on Darwish, who occasionally had to respond to its unparalleled position in Arabic culture. While most previous studies have sought to identify this poem with the so-called “Poetry of the Revolution,” a term that was popularized in the second half of the 20th century, this paper seeks to destabilize such reductionist readings, offering instead an unprecedented interpretation of the poem that takes the text itself as its point of departure. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numéro 26 2016; | - |
dc.subject | Reception | en_US |
dc.subject | Identity | en_US |
dc.subject | Memory | en_US |
dc.subject | Argumentation | en_US |
dc.subject | Arabic Poetry | en_US |
dc.title | أطياف محمود درويش | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 26 2016 |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.