Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/26047
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dc.contributor.authorسيد نوال-
dc.contributor.authorمحمد الصغير كاوجة-
dc.contributor.authorفضيلة تومي-
dc.date.accessioned2021-09-07T20:06:08Z-
dc.date.available2021-09-07T20:06:08Z-
dc.date.issued2021-06-30-
dc.identifier.issn2170-1121-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/26047-
dc.descriptionRevue des Sciences Sociales et Humainesen_US
dc.description.abstractThis study aims to identify the content of the caricature published on the Facebook page of the Algerian cartoonist Abdelghani Ben Hariza, due to the essential role that the art of caricature plays in attracting the attention of the masses by presenting many subjects and issues in caricature, manner that arouses the amusement of the recipient, and at the same time seeks to convey the communication message in a manner different from the written word. In view of the importance of this art, this research paper sheds light on the most important characteristic of the art of caricature in social networks, in particular Facebook, by relying on the analysis tool of content to achieve the desired results, especially this functionality that distinguished it from its publication by other means, represented in direct and indirect interactivity, with the caricature and its owneren_US
dc.language.isootheren_US
dc.relation.ispartofseriesnuméro 47 SSH V13 N2 2021B;-
dc.subjectcaricatureen_US
dc.subjectsocial networksen_US
dc.subjectFacebooken_US
dc.subjectReality Criticismen_US
dc.subjectReality Simulationen_US
dc.titleThe content of caricature in social networks: between criticism and simulation of realityen_US
dc.title.alternativeAnalytical study of caricature sample published on Facebook page of Abdelghani Ben Harizaen_US
dc.typeArticleen_US
Appears in Collections:numéro 47 SSH V13 N2 2021B

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