Brecht et le théâtre algérien

Abstract

The committed Algerian theater is not an orphan. It is part of a vast Algerian movement of course, but also European; moreover, the tow main are well know: Jean-Paul Sartre and Bertolt Brecht. From this point of view, it must be recognized that the theater engaged in colonial and post-colonial Algeria coin-cides with the European theater, given that is history presents, from the point of view of the people, a vast epic and documentary panorama of imperialist world history; the literary uprising of Algerian authors is thus inspired and nour-ished by a broader, more international movement of protest and disobedience fueled by the fathers of the theater engaged as Sartre or Bercht. However, it is useful to observe in the Algerian political theatera certain singularity, marking an ideological and aesthetic differentiation with Sartre and Brecht for example. The shade is fine but she is certain