Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/8264
Title: | التقنيات التراثية في مسرح عبد القادر علولة |
Authors: | زهية عيوني |
Keywords: | the patrimonic techniques theatre popular patrimony Alhalka Algawal Almadah |
Issue Date: | Dec-2014 |
Series/Report no.: | numéro 07 2014; |
Abstract: | The Algerian people , like the other Arab countries , have not used to know theatre except in the second half of the Eighteen century , through their direct contact with Europe . However, they practice a set of forms and popular modes that resemble the theatre and include some patrimonic techniques in its artistic structure. Similarly, many playwrights incorporate a folkloric or patrimonic techniques. Alloula is a prominent Algerian playwright who inspires such mode of patrimony in his plays , and he aims to create through these techniques a local and popular mode of expression. Thus, unlike other Aristolian Western forms Alloula promises to employ an effective popular mode of expression . |
Description: | Revue Makalid |
URI: | http://dspace.univ-ouargla.dz/jspui/handle/123456789/8264 |
ISSN: | 2253-0029 |
Appears in Collections: | numéro 07 2014 |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
Admin Tools