https://dspace.univ-ouargla.dz/jspui/handle/123456789/15689 2026-04-18T19:00:01Z 2026-04-18T19:00:01Z أحلام بن الشيخ https://dspace.univ-ouargla.dz/jspui/handle/123456789/16456 2019-05-16T09:31:12Z 2017-06-01T00:00:00Z

Titre: تلقي السرد النسوي العربي المعاصر بين المرجع الفكري و الباعث النقدي Auteur(s): أحلام بن الشيخ Résumé: تحاول هذه الدراسة الكشف عن المسار النقدي المصاحب للسرد النسوي وسط ما يتخبط فيه هذا النقد من تناقضات تلغي الموضوعية، لأسباب فكرية، ترفض بالأساس اعتبار السرد النسوي جزء من الكتابة السردية؛ و بين تجاذبات النقد و الفكر وقع النقاد في جدالات نقدية نسعى للبحث في أسبابها. Description: Al Alama

2017-06-01T00:00:00Z عبد الفتاح شهيد https://dspace.univ-ouargla.dz/jspui/handle/123456789/16463 2019-05-16T09:31:00Z 2017-06-01T00:00:00Z

Titre: تلاحم الآفاق: الآفاق الجمالية للقصيدة الرقمية تأسـيس وانفتاح Auteur(s): عبد الفتاح شهيد Résumé: Cet article se propose de s’initier à une approche de la créationinteractive à travers un ensemble de concepts opérationnels : la fusion, les horizons, l’esthétique, le poème numérique. et au moyen d’un ensemble de procédés d’interpellation et des choix fondés sur des systèmes de la théorie critique, ceux-ci trouvent dans le projet de Gadamer un horizon digne d’usage. Nous transposons ensuite ces concepts et procédés dans un poème de Mounîm Al-azraq pour tenter de cerner le sens, de s’ouvrir sur les horizons esthétiques cachés sous les formes artistiques, visuelles, calligraphiques et acoustiques. Là où il est question de transgresser la physique des couleurs, des ombres, des lumières, des sons et des lettres pour construire une vision poétique fortement ancrée dans la théorisation et la quête. Description: Al Alama

2017-06-01T00:00:00Z السعيد باشي https://dspace.univ-ouargla.dz/jspui/handle/123456789/16468 2019-05-16T09:30:37Z 2017-06-01T00:00:00Z

Titre: الصورة الشعرية في القصيدة الشعبية البدوية شعراء ورقلة أنموذجا Auteur(s): السعيد باشي Résumé: The characteristics and features of the artistic image in the Bedouin Folk poetry of the poets in Ouargla region exceed the limits of the traditional image based on the rhetoric arts, to an image amplified by coded inspirations and suggestions, reflecting an imagination built on the reality and nature ; and thus making an aesthetic poetry tending to the simplicity and clarity without into linguistic duress that usually cancels the role og the receiver in making or giving creativity. Description: Al Alama

2017-06-01T00:00:00Z فتيحة شفيري https://dspace.univ-ouargla.dz/jspui/handle/123456789/16467 2019-05-16T09:27:01Z 2017-06-01T00:00:00Z

Titre: Identity crisis and technical Aesthetic Algerian novel Auteur(s): فتيحة شفيري Résumé: The contemporary Algerian Novel interested into identity which constitutes her privacy, reflect through addressing the issue of individual questions about relationship to Algerian territory , his religion and his language relationship , he if he was born on this earth and founded his roots but he lives a compulsory severalty and this was illustrated by novel " origins ‘night" or la nuit des origines of Noureddine Sadi the black decade urged Abla main character of the novel to escape Constantine and link other Bank (France), and that those conditions which negatively affected she sought in the other space to cancel any link between her and the ground (ego: Algeria) and modern thinking but she was unable to do so effectively, she has returned back soulless body are compelling. The Novel "decaying castles" of Mohamed SARI reflected individual identity crisis of the Algerian at the same period – that is a black decade. his country adopt extreme religious values contrary to those values espoused in previous phases Rachid BENROUCHA overlooked one of the novel's characters have adopted BY HIS young son Nabil believing that it is his passport to access right advocated by Islam, to be at the end of the novel the victim of these values, to stand through it on cultural non catch up known by Algerian family at that sensitive phase The author has addressed these privacy artistic treatment court, observed narrative style versions, the tragic circumstances of the individual within the black decade departing from informative Aesthetic ,that some Algerian novels knew and tackled the same period , moreover the novels focused on indicating the nature of the conflict and the places and characters based on past, present and future without subservience to the hierarchy of sequential time.

2017-06-01T00:00:00Z