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  <title>DSpace Collection:</title>
  <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/32236" />
  <subtitle />
  <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/32236</id>
  <updated>2026-04-18T19:00:03Z</updated>
  <dc:date>2026-04-18T19:00:03Z</dc:date>
  <entry>
    <title>Déshumanisation concentrationnaire et récit de résilience dans Si c’est un homme(1947) de Primo Levi</title>
    <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/32354" />
    <author>
      <name>Khady GAYE</name>
    </author>
    <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/32354</id>
    <updated>2023-03-09T10:03:52Z</updated>
    <published>2020-01-31T00:00:00Z</published>
    <summary type="text">Titre: Déshumanisation concentrationnaire et récit de résilience dans Si c’est un homme(1947) de Primo Levi
Auteur(s): Khady GAYE
Résumé: Arrested in December 1943 and deported to Auschwitz in 1944, Primo Levi is a direct witness to the horror of the concentration camps. In his account, he recounts the most atrocious criminal experience in history. The monstrous character of the Nazi ideology, based essentially on anti-Semitism, is an opportunity for the writer to display his painful experience and that of his fellow wretches. It produces a direct testimony and exposes the chaotic and dehumanizing universe of concentration  camps. Our contribution will focus on the  need towitness the survivor and the responsiveness of events as a cry of repulsion
Description: paradigmes</summary>
    <dc:date>2020-01-31T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Le sens de l’expression “Enracinement et ouverture” dans la pensée esthétique de Léopold Sédar Senghor</title>
    <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/32352" />
    <author>
      <name>EL Hadji Tafsir Baba Ndao DIOUF</name>
    </author>
    <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/32352</id>
    <updated>2023-03-09T09:43:24Z</updated>
    <published>2020-01-31T00:00:00Z</published>
    <summary type="text">Titre: Le sens de l’expression “Enracinement et ouverture” dans la pensée esthétique de Léopold Sédar Senghor
Auteur(s): EL Hadji Tafsir Baba Ndao DIOUF
Résumé: f negritude is the alpha of Senghor’s thought, we can say that interbreeding is the omega. Thus, by  posing  the  need  for  a  cultural  interbreeding,  Senghor  only poses  the  conditions  for  a reconciliation  of  man  with  himself.  Senghor’s  thought  is  thus  part  of  going  beyond  our differences. That is to say that, despite the differences, Senghor is trying to prove that different peoples have an obligation to unite and to mix because they are dependent on each other. One of the conditions for overcoming differences, he said, is cultural dialogue. Because civilizations are complementary. It is important to privilege the idea of complementarity in this meeting and do everything to avoid the idea of superiority or the idea of inferiority of a people compared to another. In light of what is happening in the world today, it is fair to say that Senghor’s thinking is  purely  current.  It  is  enough  to  be  interested  in  this  thought  to  understand  that  Senghor understood very early on the challenges of the 21st century. In truth, in all parts of the world, we  are  witnessing  identity  crises,  ethnic  wars,  a  deterioration  in  the  values  of  solidarity,  a disturbing development of individualism, etc
Description: paradigmes</summary>
    <dc:date>2020-01-31T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Quand l’écriture romanesque devient jeu chez Mamadou Mahmoud N’dongo</title>
    <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/32351" />
    <author>
      <name>Yao KOBENAN</name>
    </author>
    <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/32351</id>
    <updated>2023-03-09T09:25:00Z</updated>
    <published>2020-01-31T00:00:00Z</published>
    <summary type="text">Titre: Quand l’écriture romanesque devient jeu chez Mamadou Mahmoud N’dongo
Auteur(s): Yao KOBENAN
Résumé: The  adventure  of  the  African  novel  is  made  up  of  recurring  innovations  marked  regularly  by particular aesthetic forms.  Which are the fruit of the  ingenuity of novelists whose desire is to make something new. From the assimilation novel to the decolonial novel, including the migrant novel, the postcolonial and postmodern novels, one observation is clearly perceived: the need to break away from the existing. From now on, a new novel presents itself to the reader; new in its thematic-formal  conception.  The  writing  thus  seems  liberated,  adopting  new  characteristics which  most  often  confuse.  African  novelists  obviously  devote  themselves  to  other  fields  of investigation  going  as  far  as  trying  the  inconceivable.  Writing,  for  the  novelist,  is  therefore nothing more than escape, freedom and individual creation. Mamadou Mahmoud N’Dongo’s novels,  which  follow  this  logic,  display  a  new  posturein  which  the  transgressive  and  the subversive are the essential postulate
Description: paradigmes</summary>
    <dc:date>2020-01-31T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>La perspective des personnes déplacées en littérature francophone</title>
    <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/32350" />
    <author>
      <name>Martha MZITE</name>
    </author>
    <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/32350</id>
    <updated>2023-03-09T08:52:23Z</updated>
    <published>2020-01-31T00:00:00Z</published>
    <summary type="text">Titre: La perspective des personnes déplacées en littérature francophone
Auteur(s): Martha MZITE
Résumé: This article is a thematic and stylistic analysis of the perspective of illegal immigrants portrayed by  Jean-Baptiste  Sourou  in  the  Chronicle  of  a  freezing  summer: The  Shipwrecked  Dreamof Africans(2010) and by Fatou Diome in Those Who Wait(2013). To this end, the theory of Karl Marx and Engels proves adequate to demonstrate how  migrants,  like a  lower  class in  literary society suffer and react at the hands of host countries. The subordinates, can they speak: is the problem around which this study is based. The objective of this communication is to underline the  unbearable  hardships  and  the  hard  tests  experienced  by  the  emigrant  in  the  West.  The originality of this work is that it is based on the juxtaposition of real and fictitious testimonies of illegal immigrants. This study concludes that African governments must provide resources to curb immigration to the West by Africans.
Description: pparadigmes</summary>
    <dc:date>2020-01-31T00:00:00Z</dc:date>
  </entry>
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