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  <title>DSpace Collection:</title>
  <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/5434" />
  <subtitle />
  <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/5434</id>
  <updated>2026-04-08T00:31:15Z</updated>
  <dc:date>2026-04-08T00:31:15Z</dc:date>
  <entry>
    <title>«جدلية الإنتاج والتلقي»  النظرية الأدبية المعاصرة وأهم قضاياها</title>
    <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/5524" />
    <author>
      <name>حاكم عماري</name>
    </author>
    <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/5524</id>
    <updated>2019-12-19T11:52:40Z</updated>
    <published>2014-12-01T00:00:00Z</published>
    <summary type="text">Titre: «جدلية الإنتاج والتلقي»  النظرية الأدبية المعاصرة وأهم قضاياها
Auteur(s): حاكم عماري
Résumé: Designed our modest intervention to indicate awareness of the need to link the production and reception of gender training is, which is rooted in the calendar views and theories at the earliest emergence of aesthetic reception, because even if they do not live at the perception of theoretical coherence, formed signs can verify Mission inspired projects and substitutions in Theory "yawas" and "Laser".
Description: Revue Al Athar</summary>
    <dc:date>2014-12-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>واقع اللغة العربية في عصر العولمة</title>
    <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/5520" />
    <author>
      <name>زكرياء مخلوفي</name>
    </author>
    <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/5520</id>
    <updated>2019-12-19T12:04:27Z</updated>
    <published>2014-12-01T00:00:00Z</published>
    <summary type="text">Titre: واقع اللغة العربية في عصر العولمة
Auteur(s): زكرياء مخلوفي
Résumé: The thinking of the Arabic language future is very important issue in the Arabic Contemporary Islamic thought, which is closely related to the sovereignty of Arab and Islamic culture and ideology. In the comprehensive sense, language is not just linguistic and cultural issue, but it develops as a result of development that fall, and the variables that occur; consequently, language gets stronger or weaker. This rule expels at all times and applies to all languages and successive civilizations known to man.
Description: Revue Al Athar</summary>
    <dc:date>2014-12-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>مقاربة النصوص في النقد العربي المعاصر  بين قسر التطبيق وسذاجة النتائج</title>
    <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/5509" />
    <author>
      <name>أحمد موساوي</name>
    </author>
    <author>
      <name>علي محدادي</name>
    </author>
    <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/5509</id>
    <updated>2019-12-19T12:01:14Z</updated>
    <published>2014-12-01T00:00:00Z</published>
    <summary type="text">Titre: مقاربة النصوص في النقد العربي المعاصر  بين قسر التطبيق وسذاجة النتائج
Auteur(s): أحمد موساوي; علي محدادي
Résumé: Summary:&#xD;
&#xD;
This article ,in two examples ,tries to stand for the main mistakes and traps made in today's approaches in which they range from the compulsion of application (text selection, to be subjected to the critics' own reference ) and the simplicity of results (due to the chosen text, linked to the critics' paint of view) a lot of statistics and data without accurate summary, generality and ambiguity )&#xD;
&#xD;
Résumé :&#xD;
&#xD;
            Cet article tente ; à partir de deux exemples ; de montrer les fautes et les pièges les plus importants trouvés dans les approches contemporaines, selon ce titre : Entre une obligation de pratique (choix des textes, l’obéissance à la référence du critique,...) et la naïveté des résultats (selon le texte choisi, le tour autour du critique, plusieurs statistiques et des données sans aboutir à un résultat exact, la généralité, l’ambiguïté,...)
Description: Al Athar</summary>
    <dc:date>2014-12-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>شعرية القبح في رواية التفكك لرشيد بوجدرة  دراسة تحليلية</title>
    <link rel="alternate" href="https://dspace.univ-ouargla.dz/jspui/handle/123456789/5519" />
    <author>
      <name>ليلي بوعكاز</name>
    </author>
    <id>https://dspace.univ-ouargla.dz/jspui/handle/123456789/5519</id>
    <updated>2019-12-19T11:59:04Z</updated>
    <published>2014-12-01T00:00:00Z</published>
    <summary type="text">Titre: شعرية القبح في رواية التفكك لرشيد بوجدرة  دراسة تحليلية
Auteur(s): ليلي بوعكاز
Résumé: This study aims to shed light on one of the most important creative experiences in Algeria.       Lt is the experience of Rachid Boudjedra, the contemporary who was known as the French writer name after editing a series of theatrical performances in the French language that presence in the the theatrical Dismantling piece in 1982.
Description: Revue Al Athar</summary>
    <dc:date>2014-12-01T00:00:00Z</dc:date>
  </entry>
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