DSpace Collection:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/13823
2024-03-29T11:05:29Zتحليل الخطاب المقدماتي مقدمة مغني اللبيب لابن هشام الأنصاري أنموذجا
https://dspace.univ-ouargla.dz/jspui/handle/123456789/13845
Titre: تحليل الخطاب المقدماتي مقدمة مغني اللبيب لابن هشام الأنصاري أنموذجا
Auteur(s): ليلى محمد بايزيد
Résumé: The study goes to discourse analysis of Ibn Hisham's introduction in his "Mugni Allabib". It clarifies the concept of the importance of introduction in grabbing the addressee to go straight to the point. It stands on its constituent elements to answer the salient axes in the speech structure. It monitors the introductory elements of the speaker's function who is responsible for the speech acts and its impact on the recipient. It focuses on the writer's plans to let the recipient to complete reading.
Description: Revue Al Athar2016-12-01T00:00:00Zالشاهد الافتتاحي في الروايات العربية قراءة في حجاج العتبة والنص
https://dspace.univ-ouargla.dz/jspui/handle/123456789/13825
Titre: الشاهد الافتتاحي في الروايات العربية قراءة في حجاج العتبة والنص
Auteur(s): هاجر مدقن
Résumé: Of the most important what we are used to in the scene Arab novelist in recent years; many novelists dependence on editorials function varies in terms of type, location and format. While we find overtures or editorials take the form of gifting made often; any manner the writer is elastic, we find some of them in the form of a text citations ranging from Quranic verses and prophetic sayings and verses of poetry and prose statements on diversity; Sayings of them made. And many other novels, novelist exceed the use of this evidence the opening of gifting or submission to the entrances of chapters and sections, but is found in the way the wording to address these chapters and doors.
Description: Revue Al Athar2016-12-01T00:00:00Zالحداثة الشّعريّة العربيّة بين النّكوص والبناء
https://dspace.univ-ouargla.dz/jspui/handle/123456789/13830
Titre: الحداثة الشّعريّة العربيّة بين النّكوص والبناء
Auteur(s): محمد سعيدي
Résumé: The purpose of this paper is to show the contradiction in modernity in contemporary arabic poetry, on one hand, it is considered for some poets as a destruction and regression in the meaning of poetry and its message, on the other hand, it is a modernity of construction and improvement among the other modernist poets.
Description: Revue Al Athar2016-12-01T00:00:00Zالشرخ الحضاري بين الأنا و الآخر إشكالية الخطاب النقد العربي المعاصر
https://dspace.univ-ouargla.dz/jspui/handle/123456789/13827
Titre: الشرخ الحضاري بين الأنا و الآخر إشكالية الخطاب النقد العربي المعاصر
Auteur(s): بن محمد اللقاني; بلقاسم محمد
Résumé: The first point that attracts our attention in Modernism, and what followed it, criticize is that they have no definite definition because the definitions that are given for Modernism by the western thinkers and philosophers indicted that there was no agreement upon the concept of modernism in the West itself .Here we are care for modernism not as a literary direction, rather as a conceptual theory that does not interested in the creative movement alone rather it called for revolt against all the political, social and economic aspects .
This study tackles two aspects of the issues of contemporary Arabic critical discourse ; namely, the theory and the approach. Both are well-represented by two common trends: traditional and new. The former belongs to our heritage focusing on the possibility of re-reading all that has been inherited making use of the western approaches after having them adapted to the extent they can match with the contemporary mental and cultural Arabic vision.
The second trend has completely departed from the heritage. Moreover, it follows the western modernistic approach instead. It undertakes all western theoretical principles, mechanisms, and terminologies. The application of the modernistic western approach to the reading of Arabic literature as well as the innovation of Arab men of literature that have turned their literary work into a phenomenon which is a mere mimicry of the western phenomenon if not an appendix or an extension of it.
As a matter of fact, a critical theory should reflect literature and literary creative aspects since a literary theory of this type must be the gist of the features of the Arabic literature including its syntactic, stylistic and aesthetic components.
In conclusion, the present study is a practical attempt calling
for re-visiting the western literary critical approaches and making all possible use of them on the condition that one should reserve the identity of Arabic literature including its thought and aesthetics
Description: Revue Al Athar2016-12-01T00:00:00Z