https://dspace.univ-ouargla.dz/jspui/handle/123456789/32230 Tue, 21 Apr 2026 17:11:37 GMT 2026-04-21T17:11:37Z https://dspace.univ-ouargla.dz/jspui/handle/123456789/32261 Titre: Emploi des connecteurs logiques dans les conclusions des mémoires de master 2 de langue française:quelles difficultés réelles chez les étudiants Auteur(s): Fatiha Benkrima Résumé: Thisarticle discusses on aspect of cohesive academic writing. It aims to highlight the use of logical connectors in the conclusions of the French master 2 theses. In other words, he tries to answer the question: how do 2ndyear French master students at the university of Ouargla use logical connectors to write a coherent conclusion? Are they able to chain their ideas logically? Description: paradigmes Wed, 31 Jan 2018 00:00:00 GMT https://dspace.univ-ouargla.dz/jspui/handle/123456789/32261 2018-01-31T00:00:00Z https://dspace.univ-ouargla.dz/jspui/handle/123456789/32260 Titre: Pratiques langagièresplurilingues en contexte de travail algérien Auteur(s): Mohammed DRIDI Résumé: The present reflection falls within the field of research: language and work. It will try to contribute to the development of studies on multilingualism in the context of work in Algeria. By adopting the sociolinguistic approach, our study will focus on language in a situation of professional communication in order to identify the plurilingual characteristics of language practices in the field of postal and telecommunications in Algeria Description: paradigmes Wed, 31 Jan 2018 00:00:00 GMT https://dspace.univ-ouargla.dz/jspui/handle/123456789/32260 2018-01-31T00:00:00Z https://dspace.univ-ouargla.dz/jspui/handle/123456789/32259 Titre: La bohémienne dansante dans un spectacle musical:Esméraldaportée à la scène Auteur(s): Oum Elkheir RETMI Résumé: Gypsy, bohemian are appellations representing a female figure who embodies beauty and freedom. These tow so-called long-term aspirations are associatedwith dance and music through a so-called weak being, but in reality is so pow-erful as to upset souls and societies. That will make Esmeralda of Notre-Dame of Paris under the pen of Victor Hugo Description: paradigmes Wed, 31 Jan 2018 00:00:00 GMT https://dspace.univ-ouargla.dz/jspui/handle/123456789/32259 2018-01-31T00:00:00Z https://dspace.univ-ouargla.dz/jspui/handle/123456789/32257 Titre: Brecht et le théâtre algérien Auteur(s): Benaoumeur KHELFAOUI Résumé: The committed Algerian theater is not an orphan. It is part of a vast Algerian movement of course, but also European; moreover, the tow main are well know: Jean-Paul Sartre and Bertolt Brecht. From this point of view, it must be recognized that the theater engaged in colonial and post-colonial Algeria coin-cides with the European theater, given that is history presents, from the point of view of the people, a vast epic and documentary panorama of imperialist world history; the literary uprising of Algerian authors is thus inspired and nour-ished by a broader, more international movement of protest and disobedience fueled by the fathers of the theater engaged as Sartre or Bercht. However, it is useful to observe in the Algerian political theatera certain singularity, marking an ideological and aesthetic differentiation with Sartre and Brecht for example. The shade is fine but she is certain Description: paradigmes Wed, 31 Jan 2018 00:00:00 GMT https://dspace.univ-ouargla.dz/jspui/handle/123456789/32257 2018-01-31T00:00:00Z