https://dspace.univ-ouargla.dz/jspui/handle/123456789/8154 Thu, 30 Apr 2026 18:02:16 GMT 2026-04-30T18:02:16Z https://dspace.univ-ouargla.dz/jspui/handle/123456789/8256 Titre: Modernism, Masculinity, and Misogyny Auteur(s): Leila Bellour Résumé: This paper evinces that Modernism, in poetry, is gendered masculine. Male Modernists coin their artistic theories, which are abrasive, in tune with their misogynistic predilection. These theories adamantly refuse personality and emotions. They vituperate subjectivity and sentimentalism because they are feminine. Since the modern age is threatened by femininity, they promote a kind of masculine writing marked by objectivity, scientificity, impersonality, difficulty, hardness, virility, and elitism. Description: Revue Makalid Sun, 01 Jun 2014 00:00:00 GMT https://dspace.univ-ouargla.dz/jspui/handle/123456789/8256 2014-06-01T00:00:00Z https://dspace.univ-ouargla.dz/jspui/handle/123456789/8247 Titre: المرجعية المحدّدة للآراء النقدية في القضايا المتعلقة بالنقد عند عبد السلام المسدي في كتاب الأدب وخطاب النقد Auteur(s): إدريس بن فرحات Résumé: Cet article expose par l'analyse et la conclusion, la référence déterminante les points de vue des questions liées à la critique chez le linguistique et le critique Abdul Salam messaddi à partir de son livre(la littérature et le discours critique), en référence à certaines questions critiques contenues dans le livre; puis ajuster le concept de référence, et les fondations de son développement, et sur cette base, il a été la démarche de dévoiler les piliers du pensée linguistique chez lui, en fonction aussi sur un certain nombre de textes et contextes dans lesquels ils ont été figuré dans le livre, qui a conduit que la référence déterminante de ses opinions critiques sont: une référence linguistique dominante d'une part, et de modernisation d'une autre part, par sa propre vision du concept de la modernité, à la lumière d'une tendance intermédiaire regroupant entre ce qui est oriental et ce qui est arabe, sans oublier sa culture traditionnelle. Description: Revue Makalid Sun, 01 Jun 2014 00:00:00 GMT https://dspace.univ-ouargla.dz/jspui/handle/123456789/8247 2014-06-01T00:00:00Z https://dspace.univ-ouargla.dz/jspui/handle/123456789/8240 Titre: التطور الشكلي للقصيدة العربية قراءة في الثورة على الثبات والتكرار Auteur(s): بلقاسم دكدوك Résumé: The poem traditional Arabic derives its philosophy aesthetic of the fact symmetry duo which is reflected in the form of music and poem traditional Bibyatea extended horizontally in two halves identical "I've had to speak Arabic Poetry subject to the metaphysical beginning and end after Qadahma one template unite the stances rhythmic and syntactic and semantic, and then agree decade sole with the only self within the poem, making hair singing based on stereotypes rhythm and repetition " Description: Revue Makalid Sun, 01 Jun 2014 00:00:00 GMT https://dspace.univ-ouargla.dz/jspui/handle/123456789/8240 2014-06-01T00:00:00Z https://dspace.univ-ouargla.dz/jspui/handle/123456789/8246 Titre: مساهمة النص و مغامرة الشكل في الشعر الجزائري قراءة في ديوان برقية شهيد من سيناء للشاعر الجزائري محفوظ بوشناق Auteur(s): عبد العزيز شويط Résumé: This article examines a study double (technical substance) of the Court of the poet Algerian late Mahfoud Bouchnaque, Entitled: "cable martyr of Sinai," and through several tributaries of the methodology contained in binaries (identity of form (ICF) and Identity IP) while talking about the poem Prose _ and this Court of _ in Algeria and in the Arab world, the justification of its existence, level of technical, reality, prospects, and the position of Arab critics of them, and talk about the bilateral (commitment and communication), Complying with the issues of life-social, political and ideological, spreads within the membership determined by the Arab poet, and complemented by dialectic (belonging and isolation) Valantme the group's commitment to their issues, and represents the characteristics and cultural anthropology. And separation from the community is exaggerating the emotional and self-study and in the last two (photo and space), and represents the Qdhaouat a professional image and their relationship to the fictional space of spatial and temporal allocation Bsyakath and payloads, and cultural knowledge, all the way through many of the poems of this Court. Description: Revue Makalid Sun, 01 Jun 2014 00:00:00 GMT https://dspace.univ-ouargla.dz/jspui/handle/123456789/8246 2014-06-01T00:00:00Z