the spectating of the theme of nature in the film My Father’s Glory by Yves Robert

Abstract

This paper tackles one of the main areas of academic studies in cinematography. This art deemed a new kind of picture expression that is no longer connected to the initial model as an indoor show. This paper suggests adopt one of the literary approaches to a film corpus in order to identify how thematic reading can be applied on a performance from a visualization perspective. In this analysis, our spectating’s role is deciphering the theme of nature in the eponymous film La Gloire de mon père by Yves Robert, adapted from Marcel Pagnol’s