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DC Field | Value | Language |
---|---|---|
dc.contributor.author | مسعود وقاد | - |
dc.date.accessioned | 2016-03 | - |
dc.date.available | 2016-03 | - |
dc.date.issued | 2016-03 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/10227 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | The Tone and The Vivacity of rhythm in The Arabic Poetry. This article aims to study the rhythmic role of the tone in poetry on the basis of the Arabic critic theories, that claim the possibility of using the tone as a tool of rhythm and vivacity in poetry, instead of the versification of Al Khalil Ibn Ahmed Al Farahidi. So we will try to Examine this theory in Abdelwahab Elbayati's poetry. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numero 24 2016; | - |
dc.subject | The Tone | en_US |
dc.subject | The Vivacity of rhythm | en_US |
dc.subject | The Arabic Poetry | en_US |
dc.subject | the rhythmic role | en_US |
dc.title | النبر وحيوية الإيقاع في الشعر العرب | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 24 2016 |
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