Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/10231
Full metadata record
DC FieldValueLanguage
dc.contributor.authorمحمد بن يحي-
dc.date.accessioned2016-03-
dc.date.available2016-03-
dc.date.issued2016-03-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/10231-
dc.descriptionRevue Al Atharen_US
dc.description.abstractThis article trying to access the contemporary poetic text of rhythmic entrance, it tries to combine between the stylistic study and semiotic study, highlighting the elements that have had a role in the rhythmic structure of the text. To apply this approach, we have chosen the poem of Nizar Qabbani ‘’ Maa Djarida ‘’ (with a newspaper), because we believe that the rhythm has played a very important role in the formation of this poem, more than all other elements literatureen_US
dc.language.isootheren_US
dc.relation.ispartofseriesnumber 24 2016;-
dc.subjectthe rhythmen_US
dc.subjectthe paradigmen_US
dc.subjectthe rhymeen_US
dc.subjectthe isolated sounden_US
dc.subjectthe repetitionen_US
dc.titleدلالة الإيقاع في الخطاب الشعري المعاصرen_US
dc.typeArticleen_US
Appears in Collections:numéro 24 2016

Files in This Item:
File Description SizeFormat 
T2412.pdf215,55 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.