Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/10286Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | KASMI HAFIDA | - |
| dc.date.accessioned | 2016-03 | - |
| dc.date.available | 2016-03 | - |
| dc.date.issued | 2016-03 | - |
| dc.identifier.issn | 1112-3672 | - |
| dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/10286 | - |
| dc.description | Revue Al Athar | en_US |
| dc.description.abstract | Though the Mouwedian art goeswith the dramaticterritory, Incendies faces the determination of itskinds, with a view of the treatedthemesthere. This analysistried to clarify a new categorization of that innocent drama. Startingfrom the idea of the generativereading, the reception of the workprovokeswithin the reader an uneasefrom a generic classification as themegoesfartherthan the borders of anygenericdesignation. Sincewritingis a release, the readingpactfindsitsmeaning in the efforts to provide or even in the pleasurethat leads the reader to highlight all the ambiguities ! So thissholarlyreadingtakes us on the fact the theatre of Mouawadqualified as hybrid. This to say a theatre of life far awayfromgeneric contraint ! | en_US |
| dc.language.iso | fr | en_US |
| dc.relation.ispartofseries | numero 24 2016; | - |
| dc.subject | theatre | en_US |
| dc.subject | hybrid | en_US |
| dc.subject | autobiography | en_US |
| dc.subject | exile | - |
| dc.subject | autofiction | - |
| dc.title | De l'identité hybride à l'hybridité du théâtre dans Incendies de WajdiMouawad: Vers une généricité lectorale du théâtre mouawédien | en_US |
| dc.type | Article | en_US |
| Appears in Collections: | numéro 24 2016 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| T2403F.pdf | 97,69 kB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.