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DC Field | Value | Language |
---|---|---|
dc.contributor.author | KASMI HAFIDA | - |
dc.date.accessioned | 2016-03 | - |
dc.date.available | 2016-03 | - |
dc.date.issued | 2016-03 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/10286 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | Though the Mouwedian art goeswith the dramaticterritory, Incendies faces the determination of itskinds, with a view of the treatedthemesthere. This analysistried to clarify a new categorization of that innocent drama. Startingfrom the idea of the generativereading, the reception of the workprovokeswithin the reader an uneasefrom a generic classification as themegoesfartherthan the borders of anygenericdesignation. Sincewritingis a release, the readingpactfindsitsmeaning in the efforts to provide or even in the pleasurethat leads the reader to highlight all the ambiguities ! So thissholarlyreadingtakes us on the fact the theatre of Mouawadqualified as hybrid. This to say a theatre of life far awayfromgeneric contraint ! | en_US |
dc.language.iso | fr | en_US |
dc.relation.ispartofseries | numero 24 2016; | - |
dc.subject | theatre | en_US |
dc.subject | hybrid | en_US |
dc.subject | autobiography | en_US |
dc.subject | exile | - |
dc.subject | autofiction | - |
dc.title | De l'identité hybride à l'hybridité du théâtre dans Incendies de WajdiMouawad: Vers une généricité lectorale du théâtre mouawédien | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 24 2016 |
Files in This Item:
File | Description | Size | Format | |
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T2403F.pdf | 97,69 kB | Adobe PDF | View/Open |
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