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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Salem FERHAT | - |
dc.date.accessioned | 2016-06 | - |
dc.date.available | 2016-06 | - |
dc.date.issued | 2016-06 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/11253 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | This article discusses the fact that in writing more specifically in literature there is a Works of art. In front of this activity using signs the author is in a state of writing because he is putting himself in front of a work of creativity with his thoughts, imagination and they all appear in the way he writes with nontraditional ways, these signs are sometimes tools the author uses to hide his thoughts and put them in an enigmatic and mysterious way and this is a real work of art in writing. To read the image and to see the text are reflections of the work of art using different linguistic tools, for instance literary transcription in APOLLINAIRE's calligrams, Or the instructions of Prevert in “To Make A Portrait Of A Bird, and also we can talk about monuments and steles in a twisted and diverting ways as those we can read in “Letters of Madame De SEVINGE to Mr. COULANGES”. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numero 25 2016; | - |
dc.subject | Literary transcription | en_US |
dc.subject | Works of Art | en_US |
dc.subject | Image | en_US |
dc.subject | Writing | en_US |
dc.title | De l’image à l’écriture, les objets d’art se visualisent entre les lignes | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 25 2016 |
Files in This Item:
File | Description | Size | Format | |
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T2501F.pdf | 196,14 kB | Adobe PDF | View/Open |
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