Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/1221Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Mohammed Seghir ,HALIMi | - |
| dc.contributor.author | Guen, Soumaya | - |
| dc.date.accessioned | 2013-11-17T11:10:24Z | - |
| dc.date.available | 2013-11-17T11:10:24Z | - |
| dc.date.issued | 2013 | - |
| dc.identifier.issn | K | - |
| dc.identifier.uri | http://hdl.handle.net/123456789/1221 | - |
| dc.description.abstract | Although Pride and Prejudice begins with the anonymous figure of a rich, single man, the novel is actually concerned with the middle-class, single woman. Most of the women were as the Bennet’s sisters and Charlotte Lucas are caught in a bind. These girls are too high class to get jobs, but not high class enough to inherit wealth to support themselves. Basically these women have two options: wedding bells or penny-pinching old maid hood. Pride and Prejudice offers us a look into this rather intensely feminine world of courting, marriage decisions, and social realities. Elizabeth is held up as an alternative role model for females. By providing a female character who is bold, independent, honest, and forthright, Jane Austen is making a radical critique of the social construction of female identity in early nineteenth-century England. | en_US |
| dc.description.sponsorship | Mohammed Seghir HALIMI | en_US |
| dc.relation.ispartofseries | 2013; | - |
| dc.subject | Comparison | en_US |
| dc.subject | puppet | en_US |
| dc.subject | women | en_US |
| dc.subject | literature | en_US |
| dc.subject | representation | en_US |
| dc.subject | dignity | en_US |
| dc.title | Puppet Woman Vs New Woman: Quest for Identity In Jane Austen's Pride and Prejudice | en_US |
| dc.type | Thesis | en_US |
| Appears in Collections: | Département d'Anglais- Master | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| guen_soumaya.pdf | 1,71 MB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.