Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/1221
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dc.contributor.advisorMohammed Seghir ,HALIMi-
dc.contributor.authorGuen, Soumaya-
dc.date.accessioned2013-11-17T11:10:24Z-
dc.date.available2013-11-17T11:10:24Z-
dc.date.issued2013-
dc.identifier.issnK-
dc.identifier.urihttp://hdl.handle.net/123456789/1221-
dc.description.abstractAlthough Pride and Prejudice begins with the anonymous figure of a rich, single man, the novel is actually concerned with the middle-class, single woman. Most of the women were as the Bennet’s sisters and Charlotte Lucas are caught in a bind. These girls are too high class to get jobs, but not high class enough to inherit wealth to support themselves. Basically these women have two options: wedding bells or penny-pinching old maid hood. Pride and Prejudice offers us a look into this rather intensely feminine world of courting, marriage decisions, and social realities. Elizabeth is held up as an alternative role model for females. By providing a female character who is bold, independent, honest, and forthright, Jane Austen is making a radical critique of the social construction of female identity in early nineteenth-century England.en_US
dc.description.sponsorshipMohammed Seghir HALIMIen_US
dc.relation.ispartofseries2013;-
dc.subjectComparisonen_US
dc.subjectpuppeten_US
dc.subjectwomenen_US
dc.subjectliteratureen_US
dc.subjectrepresentationen_US
dc.subjectdignityen_US
dc.titlePuppet Woman Vs New Woman: Quest for Identity In Jane Austen's Pride and Prejudiceen_US
dc.typeThesisen_US
Appears in Collections:Département d'Anglais- Master

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