Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/12280
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | نـور محمد | - |
dc.date.accessioned | 2017-01 | - |
dc.date.available | 2017-01 | - |
dc.date.issued | 2017-01 | - |
dc.identifier.issn | 2335-125X | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/12280 | - |
dc.description | Revues Dakira | en_US |
dc.description.abstract | Despite the divergent views of researchers around the concept of rhythm and methods generated , but they contend that the natural character of his sound is harmonious , which earns much of the aesthetic , so this is the voice of harmony that creates a shift of rhythm as a unique voices create a sudden and surprising. Poet Mustafa Ghemari has tended this acoustic trends deviation on paronomasia and significant stops and Prosody... | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numero 08 2017; | - |
dc.subject | Rhythmic displacement | en_US |
dc.subject | Mustafa Ghemari | en_US |
dc.subject | Office of the secrets of alienation | en_US |
dc.title | الانزياح الإيقاعي في شعر مصطفى الغماري (ديوان أسرار الغربة أنموذجا) | en_US |
dc.type | Article | en_US |
Appears in Collections: | Dakra numero-08 2017 |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.