La pratique du français dans El Euldj, Captif des Barbaresques de Chukri Khodja.

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DC Field	Value	Language
dc.contributor.author	Afaf Amrouch	-
dc.date.accessioned	2016-09	-
dc.date.available	2016-09	-
dc.date.issued	2016-09	-
dc.identifier.issn	1112-3672	-
dc.identifier.uri	http://dspace.univ-ouargla.dz/jspui/handle/123456789/13501	-
dc.description	Revue Al Athar	en_US
dc.description.abstract	When writing, the creator is not confronted with language, but with an interaction of languages and usages, commonly known as interlanguage. The case of Algerian intellectuals Gallicized in-between the two wars and torn between two different worlds and cultures, illustrates this dialogic phenomenon. Chukri Khodja’s El Euldj, Captif des Barbaresques, can reply to the feature of polyphony which explains the diversity of languages and styles within romantic statements.	en_US
dc.language.iso	fr	en_US
dc.relation.ispartofseries	numéro 26 2016;	-
dc.subject	Dialogism	en_US
dc.subject	polyphony	en_US
dc.subject	ambiguity	en_US
dc.subject	ambivalence	en_US
dc.subject	plurivocal	en_US
dc.subject	pluri	en_US
dc.subject	stylistic	en_US
dc.subject	interlanguage	en_US
dc.title	La pratique du français dans El Euldj, Captif des Barbaresques de Chukri Khodja.	en_US
dc.type	Article	en_US
Appears in Collections:	numéro 26 2016

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