Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/13860
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dc.contributor.authorKASMI Hafida-
dc.contributor.authorDAHOU Foudil-
dc.date.accessioned2016-12-
dc.date.available2016-12-
dc.date.issued2016-12-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/13860-
dc.descriptionRevue Al Atharen_US
dc.description.abstractWriting for the dramaturg Wajdi Mouawad, represents a refuge from all the evils that attack him, a bias to cover the big gap experienced by this stranger in perpetual quest for himself. His theatrical project "The blood of Promises" would not only be a call of alarm but also the result of his previous experiences, lived before on the different territories, it comes from his readings and encounters with awake spirits. His narratives are the equivalent of a real persian carpet, woven of intertwisted stories and excessive doses of choc images. So, through the detour of the theatre and the writing, he would succeed in disclosing what would have gnawed him, but in an abstract and very confused, even brautal and coarse way.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnumero 27 Déc 2016;-
dc.subjectwritingen_US
dc.subjectsceneen_US
dc.subjectrevolutionaryen_US
dc.subjectscreemen_US
dc.subjectwaren_US
dc.subjectdestinyen_US
dc.subjectidentityen_US
dc.titleL’écriture scénique, un cri de détresse chez Wajdi Mouawad dans sa tétralogie : Le sang des promessesen_US
dc.typeArticleen_US
Appears in Collections:numéro 27 2016

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