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https://dspace.univ-ouargla.dz/jspui/handle/123456789/13874
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | نسيمة علوي | - |
dc.date.accessioned | 2017-06 | - |
dc.date.available | 2017-06 | - |
dc.date.issued | 2017-06 | - |
dc.identifier.issn | 2253-0029 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/13874 | - |
dc.description | Revue Makalid | en_US |
dc.description.abstract | Held cash controversy over the speaker since the emergence of the novel is not one. It is a multi-audio installation pierce the horizon rhetoric without limits, if this problem within the clear integration between discourse structure and see the world, novelist any real author human being has the right to life, and then he can express for ideological positions, social, ethical ... etc., within the text of the novelist by a fanciful narrator creativity of the owner of the real author of the novel. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numero 12 2017; | - |
dc.subject | Held cash controversy | en_US |
dc.subject | the speaker | en_US |
dc.subject | the novel | en_US |
dc.subject | discourse structure | en_US |
dc.subject | a fanciful narrator | en_US |
dc.subject | a multi-audio installation | en_US |
dc.title | بلاغة الصوت السردي في رواية التبر لإبراهيم الكوني | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 12 2017 |
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