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DC Field | Value | Language |
---|---|---|
dc.contributor.author | عبيدة صبطي | - |
dc.contributor.author | عادل قايد | - |
dc.date.accessioned | 2017-06 | - |
dc.date.available | 2017-06 | - |
dc.date.issued | 2017-06 | - |
dc.identifier.issn | 2170-1121 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/15131 | - |
dc.description | Revue des Sciences Sociales et Humaines | en_US |
dc.description.abstract | The picture painted is technical language artist proceed from reality and addressing the masses in society at all levels where cultural or artistic message future understood painting line with intellectual and cultural level, and show you the role of communication and through him you know. Orientalist is known to have left a large number of paintings that describe the cultural identity of the community to keep communication as a means of accumulating generations to learn the culture of the community between past and present, and that's what our study aimed at searching for professional image of the French Orientalist nasereddin religious about girls dancing and singing ' and their role in building cultural identity of Algerian society. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numero 29 Juin 2017; | - |
dc.subject | الصورة الفنية ودورها في بناء الهوية الثقافية للمجتمع الجزائري | en_US |
dc.subject | قراءة سيميولوجية لصورة الفنان دينيه | en_US |
dc.title | الصورة الفنية ودورها في بناء الهوية الثقافية للمجتمع الجزائري (قراءة سيميولوجية لصورة الفنان دينيه) | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 29 SSH 2017 |
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