Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/16353
Title: | Implications of the Visual Graphic Variation in the Modern Poetic Text |
Authors: | علاء الدين علي ناصر |
Keywords: | visual graphic variation by which we mean using the visual phenomenon in the texture of the poetic text which adds artistic and semantic dimensions into the body of the poem and this has given poets more chances in practicing visual variation in the space of the poetic page and the printed form of the poem a dimension that was secondary until a recent past, but today it generates meanings and indications because it is not a neutral silent element |
Issue Date: | Dec-2017 |
Series/Report no.: | numéro 13 2017; |
Abstract: | It has become known that the modern poetic address is no longer limited to words and ideas only. Rather, it has come to include other elements which cannot be realized by any means other than the eyes. These elements are necessary for understanding the text in light of the graphic variation which the poet chooses for his text. In this context, a change has appeared in the reception of contemporary poetry, which leans more towards silent reading. This has created a space for generating visual identities for texts. The way the text is written is now one of the things that determine its meaning and frame its path. And visual variation in the modern poetic text has taken different forms, such as blackness and whiteness and the implicational blankness associated with them, vocalization, geometric figures and fragmentary functions. |
Description: | Revue Makalid |
URI: | http://dspace.univ-ouargla.dz/jspui/handle/123456789/16353 |
ISSN: | 2253-0029 |
Appears in Collections: | numéro 13 2017 |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
Admin Tools