جمالية التناص الداخلي في الرواية الجزائرية المعاصرة روايات أحلام مستغانمي أنموذجا

Abstract

The term intertextuality did not appear until after )Michael Bakhtin( laid the foundations of dialogue in the middle of the 20th century. The term crystallized with )Julia Christieva(, with reference to ideas scattered in both Western and Arab heritage, and because intertextuality derived its origins from a set of cognitive concepts; The task of defining it and giving it a general concept is easy. On the other hand, the study of literary texts from Intertextel's perspective is what requires effort.

For this purpose, this study aims to investigate the intertextuality of the internal, by looking at the meanings and how they move from one text to another, and examine the faces of similarities and differences between the former and the past, and the old and new at the level of the literary output of the creator himself, focusing on the science of the contemporary Algerian novel; : The novelist )Ahlam Mustaganemi(, seeking to understand the aesthetics of the Algerian novelist text according to the perspective of intertextuality, which took its place as a critical criterion in the treatment of literary texts, especially after the failure of the structural project, which closed itself is not allowed to exit the external contexts of the text.