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dc.contributor.authorعبد الحق بلعابد-
dc.date.accessioned2018-06-19T09:16:19Z-
dc.date.available2018-06-19T09:16:19Z-
dc.date.issued2018-06-19-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/17931-
dc.descriptionRevue Al Atharen_US
dc.description.abstractThe study of thresholds is one of the most important contemporary critical studies since its founding by the French (G.Gennet) until today, which is widely known in Eastern and Western critical research. In order to doing it, we will try to tackle one of the most important elements of these thresholds, and those which were not addressed by the Arab critic and these are the criticals introductions that accompany, analyze and interpret the literary text from the its beginning. In order to understand the components of this threshold and how it is analyzed, we have chosen the discourse of criticals introductions in the Qatarian narrative.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnuméro 30 Juin 2018;-
dc.subjectDiscourseen_US
dc.subjectthresholdsen_US
dc.subjectCriticals Introductionsen_US
dc.subjectQatarian Narrativeen_US
dc.titleخطاب المقدمات النقدية في السرد القطري (مقاربة جديدة... سرد متجددة)en_US
dc.typeArticleen_US
Appears in Collections:numéro 30 2018

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