Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/17931
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | عبد الحق بلعابد | - |
dc.date.accessioned | 2018-06-19T09:16:19Z | - |
dc.date.available | 2018-06-19T09:16:19Z | - |
dc.date.issued | 2018-06-19 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/17931 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | The study of thresholds is one of the most important contemporary critical studies since its founding by the French (G.Gennet) until today, which is widely known in Eastern and Western critical research. In order to doing it, we will try to tackle one of the most important elements of these thresholds, and those which were not addressed by the Arab critic and these are the criticals introductions that accompany, analyze and interpret the literary text from the its beginning. In order to understand the components of this threshold and how it is analyzed, we have chosen the discourse of criticals introductions in the Qatarian narrative. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numéro 30 Juin 2018; | - |
dc.subject | Discourse | en_US |
dc.subject | thresholds | en_US |
dc.subject | Criticals Introductions | en_US |
dc.subject | Qatarian Narrative | en_US |
dc.title | خطاب المقدمات النقدية في السرد القطري (مقاربة جديدة... سرد متجددة) | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 30 2018 |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.