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DC Field | Value | Language |
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dc.contributor.author | MEFTAH Meryem | - |
dc.contributor.author | ABADI Dalila | - |
dc.date.accessioned | 2018-06-20T08:48:14Z | - |
dc.date.available | 2018-06-20T08:48:14Z | - |
dc.date.issued | 2018-06-20 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/17966 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | If one finds, in a literary text, the presence of several voices in the same statement it is certainly thanks to the tools provided by the analysis of the speech that one will be able to unravel all these voices. This polyphony is doubly present in Faïza Guène's novel. On the one hand, it is a choral novel where several characters speak in turn; on the other hand, under this word other voices are hidden, which we will try to decipher. | en_US |
dc.language.iso | fr | en_US |
dc.relation.ispartofseries | numéro 30 Juin 2018; | - |
dc.subject | Faïza Guène | en_US |
dc.subject | Les gens du Balto | en_US |
dc.subject | polyphonie narrative | en_US |
dc.subject | enunciative polyphony | en_US |
dc.subject | ethos | en_US |
dc.title | La polyphonie au service d’un ethos auctorial et d’une représentation sociale dans le roman de Faïza GUENE « Les gens du Balto ». | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 30 2018 |
Files in This Item:
File | Description | Size | Format | |
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T3007F.pdf | 92,31 kB | Adobe PDF | View/Open |
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