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https://dspace.univ-ouargla.dz/jspui/handle/123456789/18370
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | حورية مباركي | - |
dc.date.accessioned | 2018-06 | - |
dc.date.available | 2018-06 | - |
dc.date.issued | 2018-06 | - |
dc.identifier.issn | 2253-0029 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/18370 | - |
dc.description | Revue Makalid | en_US |
dc.description.abstract | The Modern Literature has resorted to the use of expression thanks to the growing technology awareness of the sacred text, and the importance of the use of modern technologies in communication and expression." This is not aesthetic; but it operates as a function and functional, whatever the pattern delivered; whether it is a graph, an image or a metaphor"(1) Furthermore, the icon carries a speech about the text and around the world too. The atmosphere is complemented with other thresholds, and supported in raising the target reader, attracting attention, and at the same time, dragged him/her to the questions posed initially to acquire the book. Unlike the title, artist name, which are fixed paths, linked to text fields and which distinguish it from other texts, imagery is not organically linked to the text; it could totally be absent, change or replace the edition to another, according to the publishing house, without options to be affected by the text. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numéro 14 Juin 2018; | - |
dc.subject | Icon | en_US |
dc.subject | Linguistic sendings | en_US |
dc.subject | lightening and shadows | en_US |
dc.subject | color’s semiotics | en_US |
dc.title | قراءة سيميائية في غلاف رواية " أشباح المدينة المقتولة " | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 14 2018 |
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