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dc.contributor.authorمداني علاء-
dc.contributor.authorعبد الحميد هيمه-
dc.date.accessioned2018-06-
dc.date.available2018-06-
dc.date.issued2018-06-
dc.identifier.issn2253-0029-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/18374-
dc.descriptionRevue Makaliden_US
dc.description.abstractAlgerian poet Omar Azrag did not hesitate to portray the state and the ruling party. Based on the technique of symbolism, as an expressive energy expressing the artistic forms imposed upon it, and its need for time, in light of the cultural, social and political transformations witnessed by Algerian reality in the seventies, eighties and nineties of the twentieth century. By depicting them as the most horrible images, and the most blatant attacks because of the oppression of the weak and the marginalization of the state, and singled out the rule, the hair of the towers appeared full of images of legendary icon, religious and heritage ... And other symbols that emanated from the experience of the poet and his sense of alienation inside and outside the homeland.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnuméro 14 Juin 2018;-
dc.subjectشعر عمر أزراجen_US
dc.subjectتجليات الرمزen_US
dc.titleتجليات الرمز في شعر عمر أزراجen_US
dc.typeArticleen_US
Appears in Collections:numéro 14 2018

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