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dc.contributor.authorكمال علوش-
dc.date.accessioned2018-12-
dc.date.available2018-12-
dc.date.issued2018-12-
dc.identifier.issn2478-0197-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/20525-
dc.descriptionAl Alamaen_US
dc.description.abstractThe paper is seeking to semiotically approach the many bodily signs in Arabic poetry relying upon the description and the semantic analysis of some samples as nonlinguistic signs which - within the poetic text -deem to be semantically both meaningful and symbolic,The poet intentionally employs these very signs to achieve certain kind of communication between him/her and the reade,To this linguistic system, might be added another one that is nonlinguistic , which may be deemed as a clarifying device. Aljahidh's statement may be clearly understood and applied when these very two signs : linguistic & nonlinguistic are both adopted, In the same stream added Aljahid that a good style can only be achieved through a good choice of words and signs.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesNuméro 6 2018;-
dc.subjectSemioticsen_US
dc.subjectSemanticsen_US
dc.subjectSignen_US
dc.subjectBodyen_US
dc.subjectCommunicationen_US
dc.subjectPoetryen_US
dc.titleسميائية الإشارات الجسدية في الشعر العربي بين الوصف والتحليل الدلاليen_US
dc.typeArticleen_US
Appears in Collections:Al Alama N 07/ Vol 3, N2 2018

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