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DC Field | Value | Language |
---|---|---|
dc.contributor.author | وردة بالي | - |
dc.date.accessioned | 2018-12 | - |
dc.date.available | 2018-12 | - |
dc.date.issued | 2018-12 | - |
dc.identifier.issn | 2478-0197 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/20530 | - |
dc.description | Al Alama | en_US |
dc.description.abstract | In this article, we try to stand up to modern literary criticism in Algeria, especially the most important .The suffering it suffers in terms of signs is its spread among newspapers and magazines. and the non-specialists, who are interested in the variety of the arts and perhaps in the most prominent literature and criticism that we have focused on. by approaching the experience of "Mohammed Nasser", especially that of one of the most important money cases from impressionism. There are also critical studies in the academic field. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | Numéro 6 2018; | - |
dc.subject | Cash | en_US |
dc.subject | Critic | en_US |
dc.subject | Literary | en_US |
dc.subject | Poetry | en_US |
dc.subject | Academie | en_US |
dc.title | الخطاب النقدي في مجلة الثقافة الجزائرية (محمد ناصر) | en_US |
dc.type | Article | en_US |
Appears in Collections: | Al Alama N 07/ Vol 3, N2 2018 |
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