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dc.contributor.authorصالح قسيس-
dc.date.accessioned2018-09-
dc.date.available2018-09-
dc.date.issued2018-09-
dc.identifier.issn2253-0029-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/20912-
dc.descriptionRevue Makaliden_US
dc.description.abstractThe theater is characterized by the art of the arts of human expression, the celebration of Ferair and an interlaced space in which other arts interact with two-text and presentation, watching and performance if the presentation is all that is presented to the viewer here and now is the cosmic score through which the world is seen in the words of Roland Bart. The works of the Algerian theatre Abdel Qader Aloula, one of the most prominent patterns of expression of the reality of Algerians, in which he tried to give a look at the reality of Algerian society the play of "el thamme" carries a lot of suggestive connotations of mystery and unknowns, whose research paper tries to stand on.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnuméro 15 2018;-
dc.subjecttheateren_US
dc.subjectcelebrationen_US
dc.subjectwatchingen_US
dc.subjectuncoveringen_US
dc.subjectreceivingen_US
dc.titleصيغة اللاثبوت وتعدديّة الأبعاد في مسرحيّة اللّثام لعبد القادر علولةen_US
dc.typeArticleen_US
Appears in Collections:numéro 15 2018

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