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dc.contributor.authorKHELFAOUI Benaoumeur-
dc.date.accessioned2019-06-26T11:00:14Z-
dc.date.available2019-06-26T11:00:14Z-
dc.date.issued2019-06-26-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/20971-
dc.descriptionRevue Al Atharen_US
dc.description.abstractTo speak about Kaki is a task which only requires with it more than one communication, so much the biography of this great personality having marked the cultural history Algeria mainly the dramatic art remains emblematic in more than one way. Nevertheless, and calling on some testimonies and writtings which, in their searches to detect the route of the labyrinthian course of this great man even this phenomenon oh theatre, have all the same the merit to have immortalized – at least that we can say – this algerian Bertolt Brecht as long and more its imprints remain clear and impressive that the creators in dramatic art draw it even nowadays.en_US
dc.language.isofren_US
dc.relation.ispartofseriesnuméro 31 Juin 2019;-
dc.subjectAlgerian theatreen_US
dc.subjectcultureen_US
dc.subjectdramatic arten_US
dc.subjectCharactersen_US
dc.subjectKakien_US
dc.titleLE THÉÂTRE DE KAKI ET LE PATRIMOINE CULTUREL ALGÉRIENen_US
dc.typeArticleen_US
Appears in Collections:numéro 31 2019

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