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DC Field | Value | Language |
---|---|---|
dc.contributor.author | KHELFAOUI Benaoumeur | - |
dc.date.accessioned | 2019-06-26T11:00:14Z | - |
dc.date.available | 2019-06-26T11:00:14Z | - |
dc.date.issued | 2019-06-26 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/20971 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | To speak about Kaki is a task which only requires with it more than one communication, so much the biography of this great personality having marked the cultural history Algeria mainly the dramatic art remains emblematic in more than one way. Nevertheless, and calling on some testimonies and writtings which, in their searches to detect the route of the labyrinthian course of this great man even this phenomenon oh theatre, have all the same the merit to have immortalized – at least that we can say – this algerian Bertolt Brecht as long and more its imprints remain clear and impressive that the creators in dramatic art draw it even nowadays. | en_US |
dc.language.iso | fr | en_US |
dc.relation.ispartofseries | numéro 31 Juin 2019; | - |
dc.subject | Algerian theatre | en_US |
dc.subject | culture | en_US |
dc.subject | dramatic art | en_US |
dc.subject | Characters | en_US |
dc.subject | Kaki | en_US |
dc.title | LE THÉÂTRE DE KAKI ET LE PATRIMOINE CULTUREL ALGÉRIEN | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 31 2019 |
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