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dc.contributor.authorبوبكر النية-
dc.contributor.authorمشري بن خليفة-
dc.date.accessioned2020-02-04T10:18:12Z-
dc.date.available2020-02-04T10:18:12Z-
dc.date.issued2019-12-31-
dc.identifier.issn2478-0197-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/22989-
dc.descriptionAl Alamaen_US
dc.description.abstractThis study attempts to monitor the changes in the critical nature For the contemporary novel, the latter through its long history and the sequencing of theories It has undergone profound changes that have touched the shapes and contents together, but despite all These substitutions, the novel has been closely related to reality, expressing its issues in ways Different, until the post-modernism novel has dismantled the relationship between reality The novel, and the destruction of the notions of realism and absolute truth, to push the novel to Acting and criticizing herself, before being a picture of the world, that is to carry the novel conscious Self, Through which she offers herself as a story alternative, ceases to represent the reality and he cares about the process of shaping the novel and its criticism, and this new narrative trend we find His presence in the contemporary Algerian novel, as in the novel "The Dreamer" by Samir Kasimi, which will be a procedural key in this study.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesAl Alama numéro 09;-
dc.subjectpostmodernism novelen_US
dc.subjectrepresentationen_US
dc.subjectself-reflectionen_US
dc.subjectmétafictionen_US
dc.subjectcriticismen_US
dc.titleتحولات النزعة الانتقادية في الرواية الج ا زئرية المعاصرة من نقد التمثيل إلى تمثيل النقد )رواية الحالم لسمير قسيمي أنموذجا(en_US
dc.typeArticleen_US
Appears in Collections:Al Alama N 09/ Vol 4, N 2 2019

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