Please use this identifier to cite or link to this item: http://dspace.univ-ouargla.dz/jspui/handle/123456789/24922
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dc.contributor.authorنجلاء نجاحي-
dc.contributor.authorفائزة زيتوني-
dc.date.accessioned2021-01-18T18:47:19Z-
dc.date.available2021-01-18T18:47:19Z-
dc.date.issued2021-01-31-
dc.identifier.issn2253-0029-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/24922-
dc.descriptionRevue Makaliden_US
dc.description.abstractStanley Hyman suggested an integral method, for an ideal critic, combining all the practical ways and methods for producing a paramount creation. He considers it as a flexible method, which isn’t limited to a specific method, but looks for studying all the literary works through several critical methods to which the critic can refer to for comprehension Our questions are as follows: is there a possibility for emerging an a new Western critical theory concerned with the literary production? What are the mechanisms that ought to be adopted and followed in studying the literary works? What are the mechanisms that ought to be adopted and followed in studying the literary worksen_US
dc.language.isootheren_US
dc.relation.ispartofseriesVol 7, N 2 2021;-
dc.subjectthe critical theoryen_US
dc.subjectthe ideal criticen_US
dc.subjectthe real criticen_US
dc.subjectthe combinationen_US
dc.titleThe new crriittiicall ttheorry iin tthe Wesstterrn crriittiiciissm A rreadiing iin Sttanlley Hyman’’ss prrojjectt bettween tthe I Ideall and tthe rreall crriittiicen_US
dc.typeArticleen_US
Appears in Collections:Vol 7, N 2 2021

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