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DC Field | Value | Language |
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dc.contributor.author | Delhoum Nour El Houda | - |
dc.contributor.author | Dridi Mohammed | - |
dc.date.accessioned | 2021-06-29T20:24:10Z | - |
dc.date.available | 2021-06-29T20:24:10Z | - |
dc.date.issued | 2021-06-30 | - |
dc.identifier.issn | 2170-1121 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/25875 | - |
dc.description | Revue des Sciences Sociales et Humaines | en_US |
dc.description.abstract | This paper tackles one of the main areas of academic studies in cinematography. This art deemed a new kind of picture expression that is no longer connected to the initial model as an indoor show. This paper suggests adopt one of the literary approaches to a film corpus in order to identify how thematic reading can be applied on a performance from a visualization perspective. In this analysis, our spectating’s role is deciphering the theme of nature in the eponymous film La Gloire de mon père by Yves Robert, adapted from Marcel Pagnol’s | en_US |
dc.language.iso | fr | en_US |
dc.relation.ispartofseries | numéro 46 SSH V13 N2 2021; | - |
dc.subject | text | en_US |
dc.subject | movie | en_US |
dc.subject | cinematograph | en_US |
dc.subject | spectating | en_US |
dc.subject | nature theme | en_US |
dc.title | the spectating of the theme of nature in the film My Father’s Glory by Yves Robert | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 46 SSH V13 N2 2021A |
Files in This Item:
File | Description | Size | Format | |
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S4638F.pdf | 256,88 kB | Adobe PDF | View/Open |
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