Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/28061
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dc.contributor.authorAssia Guidoum-
dc.contributor.authorMohammed Seghir Halimi-
dc.date.accessioned2022-04-17T09:12:48Z-
dc.date.available2022-04-17T09:12:48Z-
dc.date.issued2022-03-31-
dc.identifier.issn2170-1121-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/28061-
dc.descriptionJournal EL-Bahith in Human’s and Social’s Sciencesen_US
dc.description.abstractToni Morrison is one of the African American writers who reflect the difficult situation of black Americans during the era of slavery and even after abolition. She focuses more on the black woman as she is dehumanized and oppressed by the white men, the white women and even by the black men. In her novel ‘Beloved’, Morrison draws beautiful though painful images of heroism, bravery and resistance that black women demonstrate in front of segregation and prejudice. It is Sethe’s story, a mother who kills her baby in order to protect her from having a miserable future, being a slave. In the light of Viktor Frankl’s ‘Tragic Triad’, the current paper explains the relation between the three poles of the triad ‘Death, Pain, Guilt’ and the way they meet at Sethe’s hiatus. Sethe’s reaction is to fly away mentally where she sticks to one single scene where death, pain and guilt intersect. The paper aims at clarifying the link between the triad pillars and Sethe’s decision to be cowered within her past murder. It also aims at clarifying how she strives to find meaning within her trauma despite the feelings of pain and guilt so that she can remain alive.en_US
dc.language.isoenen_US
dc.relation.ispartofseriesVolume 14, Numéro 1 2022;-
dc.subjectViktor Franklen_US
dc.subjectTragic Triaden_US
dc.subjectBlack Womenen_US
dc.subjectToni Morrisonen_US
dc.subjectBeloveden_US
dc.titleThe Black Woman’s Tragic Triad: Morrison’s Beloveden_US
dc.typeArticleen_US
Appears in Collections:numéro 50 SSH V14 N1 2022

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