Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/29419
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dc.contributor.authorAbderrahim Cheikh-
dc.date.accessioned2022-06-01-
dc.date.available2022-06-01-
dc.date.issued2022-06-01-
dc.identifier.issn2170-1121-
dc.identifier.urihttps://dspace.univ-ouargla.dz/jspui/handle/123456789/29419-
dc.descriptionRevue des Sciences Sociales et Humainesen_US
dc.description.abstractLinguistic analysis and literary criticism had been in rival positions for decades. While a linguist, as Jakobson states, is deaf poetic language, a literary scholar is indifferent to linguistic problems. The introduction of stylistics as a common tool, then, was capable of bridging the gap between them. This study tries to bring linguistics and literature under the umbrella of stylistics. It aims to analyze the stylistic deviations in Coleridge’s “The Rime of the Ancient Mariner” based on five stylistic levels, namely phonological, graphological, lexical, syntactic, and semantic levels. The results show the potentials of stylistic approach to solve the difficulty of foregrounded language. They also show the richness of stylistic deviations in “The Rime of the Ancient Mariner” which moves the readers’ interest to read the poem impatiently. The study is descriptive and qualitativeen_US
dc.language.isofren_US
dc.relation.ispartofseriesnuméro 51 SSH V14 N2 2022;-
dc.subjectstylistic analysisen_US
dc.subjectlevels of analysisen_US
dc.subjectThe Rime of the Ancient Marineren_US
dc.subjectdeviationsen_US
dc.subjectforegroundingen_US
dc.titleStylistic Deviations in Coleridge’s “The Rime of the Ancient Marineren_US
dc.typeArticleen_US
Appears in Collections:numéro 51 SSH V14 N2 2022

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