Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/32322
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dc.contributor.authorNour Elhouda Delhoum-
dc.contributor.authorFoudil Dahou-
dc.date.accessioned2023-03-08T09:23:16Z-
dc.date.available2023-03-08T09:23:16Z-
dc.date.issued2019-09-30-
dc.identifier.issn2602-7933-
dc.identifier.urihttps://dspace.univ-ouargla.dz/jspui/handle/123456789/32322-
dc.descriptionparadigmesen_US
dc.description.abstractChrestomathy, centon, fragments deliver here the subjective and fugitive impressions of a spirit caught in the net of the passion of words and of the free phrase. Maghreb, no doubt, is he, whose serene soul captures with finesse the singular echoes of the auctorial words long asleep in the mud of common thoughts. It is the charming vulnerability of reading to believe in the enigmas of literature. Today, this spirit finds its lost cultural heritage: the powerful force of a Maghreb writing refuged in the multiple French expressionen_US
dc.language.isofren_US
dc.relation.ispartofseriesV.2_06.sept.2019;-
dc.subjectReadingen_US
dc.subjectWritingen_US
dc.subjectExpressionen_US
dc.subjectLiteratureen_US
dc.subjectRiddleen_US
dc.titleTraits linguistiques épicènesLafrappe de l’autocensure éristiqueen_US
dc.typeArticleen_US
Appears in Collections:Paradigmes.V.2_06.sept.2019

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