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DC Field | Value | Language |
---|---|---|
dc.contributor.author | إبراهيم طبشي | - |
dc.date.accessioned | 2014-12 | - |
dc.date.available | 2014-12 | - |
dc.date.issued | 2014-12 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/5518 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | "elmoubalagha" is a stylistic rhetorical phenomen on and a point of disagreement between poets in it's usage now and in the past , Moufdi Zakaria was one of the contemporary poets that used it too much and exploited this technical language in various contexts including the glorification of the Algerian revolution especially in his work "El ELlahabMoukadis . | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numero-21-2014; | - |
dc.subject | aesthetic | en_US |
dc.subject | authorship | en_US |
dc.subject | elmoubalagha | en_US |
dc.subject | poems | en_US |
dc.subject | ellahab elmoukaddas | en_US |
dc.title | جمالية المبالغة في ديوان اللهب المقدس | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 21 2014 |
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