Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/5529
Full metadata record
DC FieldValueLanguage
dc.contributor.authorعبد الغاني خشه-
dc.date.accessioned2014-12-
dc.date.available2014-12-
dc.date.issued2014-12-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/5529-
dc.descriptionRevue Al Atharen_US
dc.description.abstractin the pas, the cover has been done to save the text against damage, and naw it has taken another turn through compalibility with the text and how to express it, that is what we see on the cover page with Abdellah Hammadi where it has been associated with the soufisme. If we take a look at the cover page we find a trip of a soufist twisting in different situations like on the cover through which we communicate visually to interpretate in reallity the inner working. The cover of the poetic collection in its first edition of 2011, published by dar almaeya . constantine , through it , we wanted to interrogate his threshold cover with its absent and present icons, to pave the way to reach the hidden meaning , then go directly to the text.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnumero-21-2014;-
dc.subjectcoveren_US
dc.subjectAbdellah Hammadien_US
dc.subjecttitleen_US
dc.subjectcoloren_US
dc.subjectSufism-
dc.titleالخطاب الغلافي ومضمرات التصوف في أنطق عن الهوى لعبد الله حماديen_US
dc.typeArticleen_US
Appears in Collections:numéro 21 2014

Files in This Item:
File Description SizeFormat 
T2113.pdf224,91 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.