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dc.contributor.authorLeila Bellour-
dc.date.accessioned2014-12-
dc.date.available2014-12-
dc.date.issued2014-12-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/5544-
dc.descriptionRevue Al Atharen_US
dc.description.abstractThis article attempts to give a new reading to T.S. Eliot’s use of myths. It vindicates that his allusions to Greek myths, in his poem “Sweeney Erect”, is to reinforce his misogynistic views and to maintain the patriarchal traditions and ideologies. Through his reference to myths of violence, murder, and betrayal, Eliot portrays emotional life as a degeneration into savagery, primitivism, and animality. As the paper evinces, “Sweeny Erect” is one of the most misogynistic poems Eliot had written.en_US
dc.language.isoenen_US
dc.relation.ispartofseriesnumero-21-2014;-
dc.subjectMythen_US
dc.subjectMisogynyen_US
dc.subjectViolenceen_US
dc.subjectand Misogyny in T.Sen_US
dc.subjectViolenceen_US
dc.subjectAnimalityen_US
dc.titleMyth, Violence, and Misogyny in T.S. Eliot’s “Sweeney Erect”en_US
dc.typeArticleen_US
Appears in Collections:numéro 21 2014

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