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DC Field | Value | Language |
---|---|---|
dc.contributor.author | لخذاري سعد | - |
dc.date.accessioned | 2014-06 | - |
dc.date.available | 2014-06 | - |
dc.date.issued | 2014-06 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/5725 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | The metaphor is the tool of the expressionist aesthetic found since the oldest times we ever got from the work of the language and literature, starting from Greece and passing through the rhetoric Arabs to access to the modern and contemporary lesson of language and literature. This term has attracted a group of conceptual patterns. Each field deals with metaphor as an instrument to his concepts and methods in understanding and interpretation. Thus, the reader might think that the normal limits of metaphor are simple in terms of understanding, but in fact it is the opposite; it has completed numerous researches on the Word Simple Installation called borrowing. Therefore, in this paper, we have tried to highlight and guide the reader toward this subject. | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numéro 20 2014; | - |
dc.subject | the metaphor | en_US |
dc.subject | Unitlabel | en_US |
dc.subject | DifferingconceptsThe Metaphor | en_US |
dc.subject | a Unit of labeling | en_US |
dc.subject | the difference in the limits | en_US |
dc.subject | concepts | en_US |
dc.title | الاستعارة، وحدة في التسمية و اختلاف في الحدود و المفاهيم | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 20 2014 |
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