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dc.contributor.authorلخذاري سعد-
dc.date.accessioned2014-06-
dc.date.available2014-06-
dc.date.issued2014-06-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/5725-
dc.descriptionRevue Al Atharen_US
dc.description.abstractThe metaphor is the tool of the expressionist aesthetic found since the oldest times we ever got from the work of the language and literature, starting from Greece and passing through the rhetoric Arabs to access to the modern and contemporary lesson of language and literature. This term has attracted a group of conceptual patterns. Each field deals with metaphor as an instrument to his concepts and methods in understanding and interpretation. Thus, the reader might think that the normal limits of metaphor are simple in terms of understanding, but in fact it is the opposite; it has completed numerous researches on the Word Simple Installation called borrowing. Therefore, in this paper, we have tried to highlight and guide the reader toward this subject.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnuméro 20 2014;-
dc.subjectthe metaphoren_US
dc.subjectUnitlabelen_US
dc.subjectDifferingconceptsThe Metaphoren_US
dc.subjecta Unit of labelingen_US
dc.subjectthe difference in the limitsen_US
dc.subjectconceptsen_US
dc.titleالاستعارة، وحدة في التسمية و اختلاف في الحدود و المفاهيمen_US
dc.typeArticleen_US
Appears in Collections:numéro 20 2014

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