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dc.contributor.authorبلقاسم دكدوك-
dc.date.accessioned2014-06-
dc.date.available2014-06-
dc.date.issued2014-06-
dc.identifier.issn2253-0029-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/8240-
dc.descriptionRevue Makaliden_US
dc.description.abstractThe poem traditional Arabic derives its philosophy aesthetic of the fact symmetry duo which is reflected in the form of music and poem traditional Bibyatea extended horizontally in two halves identical "I've had to speak Arabic Poetry subject to the metaphysical beginning and end after Qadahma one template unite the stances rhythmic and syntactic and semantic, and then agree decade sole with the only self within the poem, making hair singing based on stereotypes rhythm and repetition "en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnuméro 06 2014;-
dc.subjectالتطور الشكليen_US
dc.subjectالقصيدة العربيةen_US
dc.subjectالثورة على الثبات والتكرارen_US
dc.titleالتطور الشكلي للقصيدة العربية قراءة في الثورة على الثبات والتكرارen_US
dc.typeArticleen_US
Appears in Collections:numéro 06 2014

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