رَضْوَىْ عَاشُور الرِّوَائِيّةُ فِيْ سَرْدِيَّتِهَا "الطَّنْطُورِيَّةُ"؛ ذَاكِرَةُ اللُّجُوْءِ فِيْ المِخْيَالِ الجَمْعِيّ الفِلَسْطِيْنِيّ؛ هُويّة الإنسان – هُويّة المكان سِيْميَائِيّةُ الخطاب السَّرديِّ

Abstract

This study aims to reveal the intellectual–technical vision of the Egyptian novelist Radwa Ashour in her new Novel "Attantoria". The controversy centered on the intellectual identity and the victim question in the Palestinian collective imagination built on the narrative of the refugee memory and the reality of the sufferings of the refugees in forced exile from their homeland. This is done through the dismantling of the relationship between the structure of the intellectual author of the text and structure of the narrative in a manner indicative of the significance of the creative experience and how it relates to the writer's position on the continuing tragedy of Palestinian refugees and their testimony on it.