التقنيات التراثية في مسرح عبد القادر علولة

Abstract

The Algerian people , like the other Arab countries , have not used to know theatre except in the second half of the Eighteen century , through their direct contact with Europe .

However, they practice a set of forms and popular modes that resemble the theatre and include some patrimonic techniques in its artistic structure. Similarly, many playwrights incorporate a folkloric or patrimonic techniques. Alloula is a prominent Algerian playwright who inspires such mode of patrimony in his plays , and he aims to create through these techniques a local and popular mode of expression. Thus, unlike other Aristolian Western forms Alloula promises to employ an effective popular mode of expression .