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DC Field | Value | Language |
---|---|---|
dc.contributor.author | نزيهة الخليفي | - |
dc.date.accessioned | 2014-12 | - |
dc.date.available | 2014-12 | - |
dc.date.issued | 2014-12 | - |
dc.identifier.issn | 2253-0029 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/8269 | - |
dc.description | Revue Makalid | en_US |
dc.description.abstract | The Dervish came back to the exile " depends mainly on making use of the local symbols in the presence of the conceptions of the political oppression and the terrorism of the authority . Also it sheds lights on the compulsion and the torture of the authority that are widely common too , on the point that the engagement of the novel with politics gives it an important role in the social and political change , through criticizing the actual and real life in the society and revealing the seeds and the symbols of the political change , as we can not understand poetics without understanding the symbols which are used by the writer which express his awareness and his identification towards the world , because the symbolic expressions are not only an artistic style but they were aesthetic and artistic attitude from the world as well . | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numéro 07 2014; | - |
dc.subject | الرّمز | en_US |
dc.subject | الرواية السياسية | en_US |
dc.title | الرّمز في الرواية السياسية الدراويش يعودون إلى المنفى لإبراهيم درغوثي أنموذجا | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 07 2014 |
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