Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/8318
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | نور الدين دحمـاني | - |
dc.date.accessioned | 2015-06 | - |
dc.date.available | 2015-06 | - |
dc.date.issued | 2015-06 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/8318 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | This article has been treating one subject on modern literary criticism, which is based on a rhetorical concept rooted in our Arab heritage. We are definitely trying to discuss the aesthetic function of literary image that inspired its foundations of metaphor according to rhetorical concept of our ancestors. So what is the nature of the impact that caused the research of metaphor in the field of literary image that has shown remarkable maturity in Western critical ? | en_US |
dc.language.iso | other | en_US |
dc.relation.ispartofseries | numero-22-2015; | - |
dc.subject | الصورة الفنية | en_US |
dc.subject | الاستعارة | en_US |
dc.subject | المجاز | en_US |
dc.subject | التقديم الحسي | en_US |
dc.subject | التجريد | en_US |
dc.subject | الخيال | en_US |
dc.subject | الإيحاء | en_US |
dc.title | الوظيفة الجمالية للصورة الفنية في ضوء الفهم التراثي للاستعارة | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 22 2015 |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.