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dc.contributor.authorنور الدين دحمـاني-
dc.date.accessioned2015-06-
dc.date.available2015-06-
dc.date.issued2015-06-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/8318-
dc.descriptionRevue Al Atharen_US
dc.description.abstractThis article has been treating one subject on modern literary criticism, which is based on a rhetorical concept rooted in our Arab heritage. We are definitely trying to discuss the aesthetic function of literary image that inspired its foundations of metaphor according to rhetorical concept of our ancestors. So what is the nature of the impact that caused the research of metaphor in the field of literary image that has shown remarkable maturity in Western critical ?en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnumero-22-2015;-
dc.subjectالصورة الفنيةen_US
dc.subjectالاستعارةen_US
dc.subjectالمجازen_US
dc.subjectالتقديم الحسيen_US
dc.subjectالتجريدen_US
dc.subjectالخيالen_US
dc.subjectالإيحاءen_US
dc.titleالوظيفة الجمالية للصورة الفنية في ضوء الفهم التراثي للاستعارةen_US
dc.typeArticleen_US
Appears in Collections:numéro 22 2015

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