Please use this identifier to cite or link to this item: https://dspace.univ-ouargla.dz/jspui/handle/123456789/8337
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dc.contributor.authorKASMI HAFIDA-
dc.date.accessioned2015-06-
dc.date.available2015-06-
dc.date.issued2015-06-
dc.identifier.issn1112-3672-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/8337-
dc.descriptionRevue Al Atharen_US
dc.description.abstractThe French theater is characterized by the updating of the ancient myths. They are not copied but closer to contemporary audiences. Francophone playwrights as Kateb Yacine and Wajdi Mouawad make use of the Oedipus myth in a contemporary concern of identity, in need of belonging and the desire for emancipation. They want to paint through the story of Oedipus their tragic world, traumatized by the war and the fate of human beings living such a condition of life.en_US
dc.language.isofren_US
dc.relation.ispartofseriesnumero-22-2015;-
dc.subjectFrench theateren_US
dc.subjectOedipus mythen_US
dc.subjectsymbolen_US
dc.subjectassertivenessen_US
dc.titleDe Kateb Yacine à Wajdi Mouawad: la résurgence du mythe d'Œdipe est au service de l'affirmation de soi à travers le théâtre francophoneen_US
dc.typeArticleen_US
Appears in Collections:numéro 22 2015

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