Please use this identifier to cite or link to this item:
https://dspace.univ-ouargla.dz/jspui/handle/123456789/8337
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | KASMI HAFIDA | - |
dc.date.accessioned | 2015-06 | - |
dc.date.available | 2015-06 | - |
dc.date.issued | 2015-06 | - |
dc.identifier.issn | 1112-3672 | - |
dc.identifier.uri | http://dspace.univ-ouargla.dz/jspui/handle/123456789/8337 | - |
dc.description | Revue Al Athar | en_US |
dc.description.abstract | The French theater is characterized by the updating of the ancient myths. They are not copied but closer to contemporary audiences. Francophone playwrights as Kateb Yacine and Wajdi Mouawad make use of the Oedipus myth in a contemporary concern of identity, in need of belonging and the desire for emancipation. They want to paint through the story of Oedipus their tragic world, traumatized by the war and the fate of human beings living such a condition of life. | en_US |
dc.language.iso | fr | en_US |
dc.relation.ispartofseries | numero-22-2015; | - |
dc.subject | French theater | en_US |
dc.subject | Oedipus myth | en_US |
dc.subject | symbol | en_US |
dc.subject | assertiveness | en_US |
dc.title | De Kateb Yacine à Wajdi Mouawad: la résurgence du mythe d'Œdipe est au service de l'affirmation de soi à travers le théâtre francophone | en_US |
dc.type | Article | en_US |
Appears in Collections: | numéro 22 2015 |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
T2221f.pdf | 78,08 kB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.