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dc.contributor.authorصوالح وهيبة-
dc.date.accessioned2015-06-
dc.date.available2015-06-
dc.date.issued2015-06-
dc.identifier.issn2253-0029-
dc.identifier.urihttp://dspace.univ-ouargla.dz/jspui/handle/123456789/9160-
dc.descriptionRevue Makaliden_US
dc.description.abstractMovement consists of knowledge, which is considered as the fourth dimension to the image which it aims to give life to. It is a discourse which carries a sentence of expressive formats, directed primarily to the receiving observer. It is embodied in the text in two cases: either implicitly through words, which are perceived by the receptor through the movement of characters between space and time moving the narrator in the story, through still images and graphics using the art of illusion. Or in an explicit manner, dynamically through the use of hyperlinks, animation, and computer programs such as: PowerPoint, Flash, and other types. All movement in the digital text is an open field for interpretation, thus adding an important function in the world of digital literature.en_US
dc.language.isootheren_US
dc.relation.ispartofseriesnuméro 08 2015;-
dc.subjectMovementen_US
dc.subjectvisionen_US
dc.subjectmotion pictureen_US
dc.subjectdigital texten_US
dc.subjectthe receiving observeren_US
dc.titleالحركة في النص الروائي الرقميen_US
dc.typeArticleen_US
Appears in Collections:numéro 08 2015

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